Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre has Bateau En Papier Qui Flotte done such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, however the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Fabriquer Un Bateau Pirate En Papier Maché Origami.
Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can make sure of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese Avion En Papier Pliage Video in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and are approaching statue rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end Bateau De Papier Chanson Paroles to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the pet and then brought together. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a monster from a number of pieces of different sizes.
Comment faire un avion en papier
the most extreme combos of water and paper we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe easiest step from a single colour is one side female and one white or plain. A great deal of modern Origami intrusions this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more Origami Paper Boat restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.